| Thomas Gibbons is playwright-in-residence at InterAct Theatre in Philadelphia, which has produced seven of his plays: Pretending to America, 6221, Axis Sally, Black Russian, Bee-luther-hatchee, Permanent Collection, and A House With No Walls. His plays have been seen at the National Playwrights Conference at the Eugene O'Neill Theatre Center, off-off-Broadway at Blue Heron Theatre, Mixed Blood Theatre, Northlight Theatre, Actors Express, Florida Stage, Unicorn Theatre, Repertory Theatre of St. Louis, Arizona Theatre Company, Center Stage, New Repertory Theatre, Aurora Theatre, and many others. He is the recipient of seven playwriting fellowships from the Pennsylvania Council on the Arts, a Roger L. Stevens Award from the Fund for New American Plays, a Barrie and Bernice Stavis Playwriting Award, two Barrymore Awards for outstanding new play, and a Pew Fellowship in the Arts. |
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Actor's Choice: Monologues for Men
by Keith Aisner, Robert Alexander, Tanya Barfield, Stephen Belber, et al.
Edited by Erin Detrick
Foreword by Broadway casting director Kate Schwabe |
 
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$14.95 per book
Discover a monologue book like no other. Actor's Choice: Monologues for Men gives you an extraordinary array of cutting-edge new monologues, from comedic to dramatic and everything in between. Unlike other monologue books, the source of every monologue is easily accessible -- each play is available through one website (www.playscripts.com), where you can read nearly the entire published script online for free. Explore the work of today's most celebrated theatrical voices, including Naomi Iizuka, Mac Wellman, Tanya Barfield, Jordan Harrison, Tony Award winner David Henry Hwang, and many more!
Also in this series:
Actor's Choice: Monologues for Women
Actor's Choice: Monologues for Teens
Actor's Choice: Scenes for Teens
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Actor's Choice: Monologues for Women
by Liz Duffy Adams, Robert Alexander, John Augustine, Stephen Belber, et al.
Edited by Erin Detrick
Foreword by Broadway casting director Kate Schwabe |
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$14.95 per book
Discover a monologue book like no other. Actor's Choice: Monologues for Women gives you an extraordinary array of cutting-edge new monologues, from comedic to dramatic and everything in between. Unlike other monologue books, the source of every monologue is easily accessible -- each play is available through one website (www.playscripts.com), where you can read nearly the entire published script online for free. Explore the work of today's most celebrated theatrical voices, including Naomi Iizuka, Rinne Groff, Jane Martin, Pulitzer Prize winners Lynn Nottage and David Lindsay-Abaire, and many more!
Also in this series:
Actor's Choice: Monologues for Men
Actor's Choice: Monologues for Teens
Actor's Choice: Scenes for Teens
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Drama
Full-length, 90-110 minutes
3 females, 2 males (5-8 actors possible: 3-5 females, 2-3 males)
$75.00 per performance; $8.99 per book
Shelita Burns, an African-American editor, publishes Bee-luther-hatchee, the autobiography of a reclusive 72-year-old black woman named Libby Price. Shelita has never met Libby, and when the book wins a prestigious award she decides to deliver it to her in person. To her profound shock, the actual author of the book is a white man named Sean Leonard. Furious and resentful, Shelita accuses Sean of perpetrating a hoax, while he defends the book as a truthful work of imagination. Their confrontation, played out on the edge of the racial divide, builds to a jarring act of violence.
(This is the first part of a trilogy. See also Permanent Collection and A House With No Walls.)
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| "A powerful, provocative piece of theatrical writing. You want to run down the street twisting people's arms to see it." |
| --Linda Eisenstein, Cleveland Plain Dealer |
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Drama
Full-length, 100-120 minutes
2 females, 4 males (6-9 actors possible: exactly 2 females, 4-7 males)
$75.00 per performance; $8.99 per book
A bitter public battle erupts when it is revealed that the site of a new museum enshrining American liberty is the ground on which George Washington's slaves' house once stood. An African-American political activist occupies the site, demanding that the house be recreated as a reminder of the reality of slavery in our history and a memorial to the slaves' lives. He is opposed by a controversial African-American conservative author, who argues that blacks must lay aside their pursuit of victimhood if they are to achieve true equality. Their conflict is juxtaposed against the story of Oney Judge, one of Washington's slaves, as she struggles with the decision of whether to risk everything to escape her bondage. Moving in time between the present and the past, the play explores our relationship to troubling historical reality. How do we decide which elements of our history will be commemorated and which will be forgotten?
(This is the third part of a trilogy. See also Bee-luther-hatchee and Permanent Collection.)
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| "Heady with argument, A House With No Walls is further proof that Gibbons is the real thing, a major writer who enjoys giving an audience whiplash as we keep changing sides listening to the articulate, character-rooted debate." |
| --Hap Erstein, Palm Beach Post |
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Drama
Full-length, 115-125 minutes
3 females, 3 males
$75.00 per performance; $8.99 per book
Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. Permanent Collection is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes?
(This is the second part of a trilogy. See also Bee-luther-hatchee and A House With No Walls.)
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| "Gibbons' intellectually charged drama is a beautifully balanced dialectic that treats a complicated and emotional issue without cheap conclusions... Sophisticated and deft, it is a provocative treatment of the unanswerable." |
| --F. Kathleen Foley, Los Angeles Times |
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