 |
|
| Lloyd Suh is the author of American Hwangap (forthcoming: Magic Theater in San Francisco, Ma-Yi/Play Co. in New York), The Children of Vonderly (Ma-Yi), Masha No Home (EST, East West Players), The Garden Variety, Great Wall Story, Happy End of the World, among others. His plays have been presented across the country at additional theaters and festivals including the Lark Play Development Center, Ojai Playwrights Conference, New York Stage & Film, McCarter Theatre Center's IN-Festival, Stamford Center for the Arts, and others. He has been the recipient of grants and commissions from the NEA/Arena Stage New Play Development Project, the Jerome Foundation, South Coast Repertory, Theatre Communications Group, the New York Foundation of the Arts, and the New York State Council on the Arts, and was honored by the National Asian American Theater Company and Pan Asian Rep with the Lilah Kan Red Socks Award in recognition of an artist's commitment to community service. He currently serves as Artistic Director for Second Generation and Co-Director of the Ma-Yi Writers Lab, the largest resident company of Asian American playwrights ever assembled. |
|
|
|
|
$12.99 per book
Hot Blooded is a collection of 76 monologues, fresh out of the fire: A young couple sleeps through the millennium. A lonely man recounts his first lap dance. A down-and-out clown spills his guts to the kids. This book contains material for men and women of all ages, with quirky and moving characters who endure messy breakups, remember dead pets, drive the big rigs, and more.
|  |
|
 |
| "There may be hope for the theatre yet. Just when it seems that no one under thirty can be trusted to cherish drama, cultivate the spoken word, or see any picture bigger than the screen of a video game, along come the writers of Youngblood." |
| --Lawrence Van Gelder, The New York Times |
|
|
|
|
Drama
Full-length, 90-110 minutes
2 females, 3 males
$75.00 per performance; $8.99 per book
When her late mother's secret legacy -- a large sum of "community" money -- is discovered, 17-year-old Masha does the noble thing and steals it. A comic drama about a second-generation Korean American and her surprising journey of reconciliation.
|  |
|
|
| "There is not a false syllable in the eruption of curiosity, rebellion and embarrassment that is Masha's vocabulary. This is one terrifically lovable wild girl." |
| --D.J.R. Bruckner, The New York Times |
|
|
|
|
|
|
|
|
|
|
