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Bryan Harnetiaux
Bio and play details
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Bryan Harnetiaux
Photo: Northern Exposures,
Spokane, WA
Plays by this author
  • 215 Montague Street
  • National Pastime
  • Bryan Harnetiaux has been a Playwright-in-Residence at Spokane Civic Theatre in Spokane, Washington, since 1982. Thirteen of his plays have been published, and his short play The Lemonade Stand is anthologized in More One Act Plays for Acting Students (Meriwether Publishing Ltd., 2003). These works include commissioned stage adaptations of Ernest Hemingway's The Snows of Kilimanjaro and The Killers, and Kurt Vonnegut, Jr.'s Long Walk to Forever, all published by The Dramatic Publishing Company.

    Mr. Harnetiaux's work has been performed throughout the United States. His play National Pastime, about the breaking of the color line in major league baseball in 1947, has received nine productions, including professional productions at Fremont Centre Theatre in South Pasadena, California and at Stamford Theatre Works in Stamford, Connecticut. National Pastime is published by Playscripts, Inc., as is 215 Montague Street, a short play drawn from National Pastime, recounting the historic first meeting between Branch Rickey and Jackie Robinson.

    The one-man play York, written in collaboration with actor David Casteal, which tells the story of the only Black man on the Lewis & Clark Expedition (1803-06) has been performed throughout the country, including a limited engagement at 78th Street Theatre Lab in New York City. (He wrote the book for York and David developed the Djembe drum rhythms used to tell the story.) Mr. Harnetiaux's play Vesta recently completed an equity-waiver professional production at Seattle's Capitol Hill Arts Center (CHAC) in February, 2008, with Megan Cole in the title role. His full-length play, Dusk, premiered at Spokane Civic Theatre in Spring, 2007.

    He is a member of the Dramatists Guild of America.

    215 Montague Street by Bryan Harnetiaux   More Info Add to Cart

    Short, 10-15 minutes
    3 males
    $30.00 per performance; $8.99 per book

    NOTE: This play is part of a book called National Pastime.

    On the brink of the Civil Rights Movement, Jackie Robinson, the first black player in major league baseball, and Wesley Branch Rickey, the white President and General Manager of the Brooklyn Dodgers, shatter the color barrier in 1947. 215 Montague Street recounts their historic first meeting.
    "215 Montague Street" by Bryan Harnetiaux. Jed Reynolds and Lamont Thompson in National Pastime, Fremont Centre Theatre, South Pasadena, California (2005). Photo: StevenRae.com
    Reviews
    "Bryan Harnetiaux's sentimental yet enthralling play reveals the behind-the-scenes maneuverings of Dodger president Branch Rickey to desegregate baseball after pressure from the Negro and Communist Party Press, and his tapping of the otherwise outspoken Robinson to be 'the one.'"
    --Martin Hernandez, L.A. Weekly


    National Pastime by Bryan Harnetiaux   More Info Add to Cart
    Drama
    Full-length, 105-120 minutes
    4 females, 8 males (12-16 actors possible: 4-6 females, 8-10 males)
    $75.00 per performance; $8.99 per book

    National Pastime follows the journeys of Jackie Robinson, the first black player in major league baseball, and Wesley Branch Rickey, the white President and General Manager of the Brooklyn Dodgers, as they shatter the color barrier in 1947. While offering insight into each man's personal struggles, the play traces the evolution of race relations leading up to the Civil Rights Movement. Against all odds, Robinson and Rickey join forces to bring about a benchmark cultural event in America's history. (Note that this full-length play includes the short play, 215 Montague Street, which can be performed and licensed separately.)
    "National Pastime" by Bryan Harnetiaux. Jed Reynolds and Lamont Thompson in National Pastime, Fremont Centre Theatre, South Pasadena, California (2005). Photo: StevenRae.com
    Reviews
    "This is a fascinating story, and even people who are not sports fans should find this production compelling... In its recounting of an important piece of history and its undeniable emotional impact, this production scores a home-run."
    --Terry Morgan, Back Stage West
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