| Victor Kaufold has had productions at The Hudson Theatre (Los Angeles), The Avery Theatre (Annandale), and The Yale Cabaret. His full-length plays include The Why, Tethered, The Special Interest Case of Special Agent Esteban Martinez, Muke the Inquisitive, The Death of Milton Hubbell, and Bridesburg. The Why was produced by The Blank Theatre in Los Angeles in 2000 and was nominated for an Ovation award for best new play. Now published with Playscripts, Inc., it has enjoyed numerous performances in and outside of the country. Mr. Kaufold currently teaches English at Borough of Manhattan Community College and holds an MFA from the Yale School of Drama. |
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$14.95 per book
Looking for the perfect monologue? Actor's Choice: Monologues for Teens is here to help. From hilarious comedy to cutting-edge drama and everything in between, an exciting selection of monologues is at your fingertips. Unlike other monologue books, the source of every monologue is easily accessible -- each play is available through one website (www.playscripts.com), where you can read nearly the entire published script online for free. From classwork to competitions to auditions, this book has you covered!
Also in this series:
Actor's Choice: Scenes for Teens
Actor's Choice: Monologues for Women
Actor's Choice: Monologues for Men
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| "This is an excellent monologue book for middle and high school students with applications for competition as well as use in drama, speech, or English classes." |
| --Terrilyn Fleming, The Midwest Book Review |
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Tragicomedy
Full-length, 80-90 minutes
1 female, 3 males (4-26 actors possible: 1-6 females, 3-20 males)
$75.00 per performance; $8.99 per book
A fast-paced tragicomedy; one part modern satire, one part honest investigation. The central story concerns Robert, an American teenager guilty of murdering three of his classmates in what has come to be referred to as a school shooting. Spliced among the dramatic exchanges between Robert and his assigned social worker, a parade of fantastical stereotypes storms in and out, creating a dichotomy between moments of hilarity and sorrow. Confronted by disturbingly accurate exaggerations of the tabloid-like modern media, the audience is made to laugh, and then question that laughter.
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| "An episodic, highly expressive, contemplative play, equally balanced between satire and sadness. An impressive debut." |
| --Steve Oxman, Variety |
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